I have always loved this quote by
Mary Oliver and think it speaks profoundly to a writer’s need to pay attention
to the world around her. Now that the beautiful colors of autumn beckon, I try
to walk as much as possible. The other afternoon I spotted hundreds of tiny
acorns peppering the ground. There were also wooly caterpillars sporting their
cold weather coats. A neighbor’s chickens were invisible, but I could hear
their cluck and chatter as I walked by the house where they are kept.
Will these observations become a
poem? Perhaps. Several years ago I wrote a poem called“Wild Turkeys” about a
group of turkeys that ambled across our driveway in the early morning hours. In
the opening stanza, I wrote:
a family of wild
turkeys
crosses the driveway
at dawn, the young ones
scrabbling along the stones --
beaks down, eager for
acorns or nuts. The two females
dull-brown, strut briskly
as they scan for shelter.
Soon enough they cross
over to woodlands,
a flock of feathers
disappearing into brush.
crosses the driveway
at dawn, the young ones
scrabbling along the stones --
beaks down, eager for
acorns or nuts. The two females
dull-brown, strut briskly
as they scan for shelter.
Soon enough they cross
over to woodlands,
a flock of feathers
disappearing into brush.
This was poetry that came from
direct observation and memory, but it was more
than that. I identified with the mothers marching their
offspring around our neighborhood. I wanted to shape this moment in time and
have it touch some universal experience. Later, in this poem, I wrote:
When a young turkey
goes missing
the whole flock stops,
waiting for the little one
to return.
Like them,
I search the golden fields,
the grassy inclines
for that one moment
when I spot the beloved,
the world gone mad
with the frenzy of my longing
then a stalled breath,
then quiet, then
fog lifting
over the dark earth.
goes missing
the whole flock stops,
waiting for the little one
to return.
Like them,
I search the golden fields,
the grassy inclines
for that one moment
when I spot the beloved,
the world gone mad
with the frenzy of my longing
then a stalled breath,
then quiet, then
fog lifting
over the dark earth.
Here, I extend the image of the
mother turkey looking for her lost young one to one of the lover waiting for
the beloved. I wanted to take something specific and make it work on another
level. There are magical things awaiting the poet in the world and it’s our job
to look, to see and to capture it in words.
What a beautiful poem!
ReplyDeleteAs I writer I very much identify with the power and importance of observation. I love to listen to snippets of conversations, watch people interact, notice the differences between a young woman in her twenties and an older woman in her eighties. How people walk, talk, laugh, cry and react to various experiences is essential for us as writers to know and understand.
I agree that observation is key for any kind of writer. Thanks so much for taking the time to read this!
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